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Daniel Day-Lewis Expresses Frustration Over Method Acting Being Equated to ‘Behaving Like a Lunatic’ – And That’s Exactly Why We Love It

It’s been quite some time since anyone caught a glimpse of the acclaimed actor Daniel Day-Lewis. Following his statement in 2017 that he would cease to work as an actor, prior to the debut of Phantom Thread, Day-Lewis withdrew from the spotlight. However, during his hiatus, his legend has only grown.

The Mythos Surrounding His Method

Primarily, this reputation centers on his favored style of working. As someone known for disappears into his characters – for example, while filming Lincoln, he had the director address him as “Mr President” throughout the shoot – audiences has become more fascinated with his process. Did he actually sent messages to co-star Sally Field as Abraham Lincoln? Did he consumed solely game he hunted during The Last of the Mohicans? And did he demand receiving food via spoon while filming My Left Foot?

Extreme acting methods: have we lost interest with over-the-top performances?

Now, Day-Lewis has returned to public attention, somewhat reluctantly, promoting his latest movie Anemone. He is taking this chance to express his anger at how the Method technique is viewed. “I’m a little cross these days to hear all kinds of people gobbling off and saying things like ‘fully embraced the Method’, which seems is meant to imply that a person’s acting insane in an extreme fashion,” he told a major publication. “Everyone tends to focus on the less important aspects of acting, and these elements always seem to involve some sort of self-flagellation or a situation that imposes upon oneself a severe discomfort or psychological strain. However, in the career of an actor, it has to principally be about the inner transformation.”

An Industry Full of Followers

Frankly, it appears like Day-Lewis has come out from his retreat only to discover aghast at the world that has developed in his image. If you’re regarded as one of the greatest actors to ever work, and your approach includes striking a prop to the point of injury (for Gangs of New York) or enduring 48 hours in isolation deprived of sustenance (for In the Name of the Father), it’s natural that fellow performers will want to fill that vacuum by trying to mimic their idol.

Functionally Italian … The singer-actress starring in <em>House of Gucci</em>.
Functionally Italian … Lady Gaga in House of Gucci.

Essentially, we now live in an environment populated by half-cocked Day-Lewis impersonators who want nothing more than to demonstrate the sheer amount of effort they invest in a character. At the shallow end of this trend there are performers such as Lady Gaga, who was determined to earn an Academy Award with House of Gucci that she spent the entire promotion attempting to persuade people that she transformed into an Italian native for a year and a half as preparation.

Additionally, there is Jared Leto, who chose to deeply embed himself in the character of the Joker (for Suicide Squad) by sending “horrifying” gifts to his castmates. These items, depending on who you ask, range from deceased animals to intimate objects and personal hygiene products, though the actor refuted those worst excesses. Then, naturally, there is Jim Carrey, who went so deep into Andy Kaufman during Man on the Moon that they literally managed to get a feature-length documentary from behind-the-scenes footage of him making life as impossible as he could for his colleagues.

Contemporary Method Practitioners

The foremost Method Guy at the moment would appear to be Jeremy Strong (formerly an assistant to Day-Lewis), whose process during Succession was so rigorously detailed that it formed the basis of a critical New Yorker profile, full of quotes from individuals who were either concerned for his behaviour (“It’s the cost to himself concerns me,” said co-star Brian Cox) or annoyed beyond all measure by his actions (“I recall him causing everyone else roll their eyes,” said an unnamed co-star).

Daniel Day-Lewis says he ‘did not plan to stop acting, truly’

There are so many other examples. Andrew Garfield went celibate for six months for Silence. Leonardo DiCaprio slept in a dead animal during The Revenant. There’s a fighting chance that Austin Butler still speaks like Elvis Presley, years following the movie’s release. All of this, to some extent, aims to evoke the seriousness in which Day-Lewis approaches his craft.

An Admirable Yet Challenging Battle

Moreover, while his fightback to critics of the Method could be commendable, a short publicity tour may prove insufficient to change anyone’s mind, not to mention their practices. Perhaps if he wishes to remind people the true essence of the Method, or to demonstrate what it can achieve, then Day-Lewis’s best bet is to simply start making additional movies. Certainly we could all support that idea.

The writer

Christina Carter

A seasoned journalist with over a decade of experience covering British politics and social trends, Evelyn brings a sharp analytical perspective to modern UK affairs.

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